(I) NORTH INDIA
Kalri is
an occasion when the peasants in north India propitiate the Vedic God Indra and
pray for then nourishment of the earth and fire and a successful harvest.
Performed in raily season the dance movements follow the songs that are
accompanied by the rhythmic beat of the dholuk and cymbals.
Nautanki
is one of the most pouplar folk daneof Uttar Pradesh with songs recited in
operative style. Acting and dance movements interpret stories connected with
mythology and also modern social problems.
Ras Lila
is an equally popular dance form originating in Mathura and Vrindavan in Uttar
Pradesh, which are closely connected with the life of God Krishna. Fine
movements, some of them being common with those of the Kathak, are most
attractive. Playing the roles of the Gopies and Radha, the expression of the
dancers is full of freshness and charm.
Karan is
a dance to worship the holy tree marking the happy period when the harvest is
over. The dance festival commences with fasting during the day.
Jhora is
a community dance and is done by both men and women. All castes joining in the
celebration. Dancing to a court of four or eiht beats, they stand and bend, sit down and then prance around in a
merry alternation of movement and counter movement.
Chappell
is one of the romantic dances of the Kumaon hills which is often performed at
weddings and spring time. Depicting as it does the spirit of romance, dancers
perform in twos, holding a mirror in one hand and a coloured handkerchief in
the other had which they gracefully wave, as they advance forwards and
backwards in rhythmic stepping.
The
Thali dance. Done entirely by Jaunsar women, is an embodiment of grace. Holding
brass trays, forming circles, moving forward and backward, the dancers move
with slow steps with songs on their lips. The thali dance is a commemoration of
the ancient days of chivalry when men danced before going into battle. The
dance is very forceful. Full of firm stepping and an men brandish sworld, they
move faster to the accompaniment of the nagaradrums and curling trumpets.
Rauf
dances are performed essentially by women in Jammu during harvesting seasoin.
Dancing in towo rows, about fifteen girls in each, form a sort of a chain by
placing their arms across one another’s backs. Dressed in bright skirts and
draperies with heavy ornaments of silver, their faces laden with smiles and
animation, the dancers create a heavenly charm and delight.
Hikat is
another dance of Jammu in which groups of young girls and boy express sheet joy
and exhuberence. Their hands held crosswise pairs of dancers spin in ast
circles. This is a feast requiring food balance, perfect timing and precise
movement of the feet. Bhangra is the most popular and best known dance of
Punjab, performed on all festive occasions. It is symbolic of exuberance and
gaiety generally associated with the nature of people living in this part of
India. Forming into a usually large circles, dancers start going round with as
many new entrants as the time or occasion demands. The drummer is in the centre
giving fillip to dancer’s speed and movement. As the dancer’s get into the
spirit of the dance, they produce a rhythmic cry of joy.
(II) (III)
EAST
AND NORTH EASTERN INDIA
Basant
Manipuri folk dance and a type of Raslila, is Ras performed at full Moon in
March – April. In depicts the storyof a misunderstanding between Radha and
Krishna byut it comes to a happy ending after a good deal of persuasion by
Krishna.
Baul is
a dance – song from Bengal, which are mainly devotional in nature with Vaishnava
characteristic.
Jadur
folk dance of the Boomiyas of Orissa, is performed to propitiate Burn Bonga a deity
of the tribe. This dance is also performed by the Orasn tribe of Bihar.
Jata
Jatin a folkdance of Bihar, it is performed by Mithila women on Moon – lit
nights during the monsoons, depicting the romance of jata and jatin.
Karama a
folk dance of Bihar, it is generally performed in the rainy season. It is
performed by boys and girls who array sticks on their shoulders during the
dance.
Kathi a
Bengali folk dance, is unique for its rhythmic footwork and for the remarkable
synchronization in the beating of the sticks which the dancers hold in their
hands.
Keli
gopal a folk dance of Assam, depicts episodes from the life of Krishna.
Khamba
Lim an assamese folk dance, is performed at the beginning of the harvest
season, by two groups of dancers – male and female – who stand in two rows.
Mahras a
Manipuri folk dance and a type of Raslila, is perfotrmed during the full moon
night in December. It depicts the separation of divine lovers. Ktrishna and
Radha. Ultimately Krishna returns to Radha.
Maya
Shavari is a folk dance of Orissa in which the mightiest of the gods and
goddess are treated as ordinary human beings.
Nat Puja
an assumes folk dance, performed with a sword in both hands is an invocation to
the supreme deithy, Sova, who assures victory to his devotes in time of war.
Natha
Ras is a Manipuri folk dance and a type of Rasliala. In this dance eight Gopies dance with Krishna.
Nruira
Lim. This assamese folk dance is also known as cock – flight dance. It is
performed by groups of boys and girls who stand opposite to each other and
stage a mook flight.
Raslila
a Manipuri folk dance, it was initially visualized by Maharaja jay singh,
probably in 1700 A.D. since Raslila is based on the Vaishnav theme, it is
played in different parts of the country in the folk of Semi- classical
traditions in the form of dance or dance – dramas like the Raslila of Brij
(U.P)
Ruk Mar
Nacha This is an attractive folk dance from Orissa. The Ruk Mar Naha Dance –
which means to ‘defend and attack ‘is a
highly stylized mock fight. It is generally performed in the mayurbanj district
of Orissa and is believed to be the rudimentary form of the evolved chow dances
of the region.
Sarbul a
folk dance of the Oraons (Bihar). It is also called summer dance and is more or
less a martial dance.
Thambal
chonabi a Manipuri folk dance, it is a merry social dance performed during the
Festival of Holi.
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